Last Chance Saloon

It sounds far more dramatic than it probably is...

Adopting the fortnightly posting approach has been a blessing and a curse. On the one hand, I can get a good few weeks worth of updates finished up in one sitting, on the other hand progress can sometimes happen in leaps and bounds quicker than posts can keep track of them! 

So here we are, with one week to go till the contest deadline, a quick rapid fire of a select few construction milestones for the challenge layout. It's scary just how quickly the deadline has come around!

There was a very brief glimpse of an Airfix Matador kit a few weeks back, assembled and then cut at a jaunty angle. It works better than anticipated as a nice view block on the 'road to nowhere', making the scene feel deeper than it really is at this track level view (Remember, this is an Ikea Mosslanda layout, it's only 9cm deep!)

The yard gates are lightly bashed ScaleModelScenery platform fences, whilst the Pre-Worboys road signs help to set the scene firmly in the 1950s. I'm not quite sure why the postbox keeps glowing a luminous red in every photograph I take of it. It is painted a dull matt red, honest!

The layout has also come to life with the addition of figures, all coming from the Monty's Models range. I was asked why I was using white metal figures when high detailed 3D printed options, like those from Modelu, are now available. The answer? This is the one manufacturer I know who produces the stereotypical vicar in a panama hat! That said, the sharpness of the moulding on the station staff figure is incredible.

The conductor figure is part of a set with a bus driver, and due to the coach being one of the old Egger Bahn HOe stable, both his shoes and hat needed A LOT of filing down to fit. He's ended up wearing more of a flat cap than a peaked cap. A bit of a happy accident really, as this pose was very much inspired by a photo in K.E.Hartley & Paul Ingham book on the Sand Hutton Light Railway. It's quite a good match.

And finally, one of those jobs I'd been putting off for far too long - finishing some wagons for the layout. From right to left we have: A Corris brake (running as a boxvan), a tarpaulin covered wagon (A 'how to' is probably on the cards for next year), a coal wagon, a wagon full of timber and finally, the classic wagon load of milk churns and sacks from the Wills range.

For something different I tried weathering these using the range of washes from the Citadel Miniatures range. The results are... mixed. It goes on well enough, but it seems to 'pool' on any model I've applied it too., like it's a thicker mixture than the normal watered down acrylics. I've tried shaking and stirring the pot before application but the result is always the same. A little disappointing. 

And that's a wrap (For now!) Next time the layout graces this blog will be the 'grand reveal' of a terrible punchline...

Trees

Scenically, progress is coming along in leaps and bounds now with the Cartel Challenge layout, a lot of this stemming from having gotten the first stages of ballasting down. 

Posting the above quick photo update over on the Facebook group resulted in a couple of queries as to how I had created low relief trees for the backscene, so as a handy source to redirect people to in the future, what follows is a 'how to' as to the method I use.

You will need:

• A few dried out old twigs
• Black (Or dark green) thin card
• Woodland Scenics dark and light course foliage
• A razor saw
• A hot glue gun (or PVA alternative)

Start out with the twigs, most importantly making sure that they have been left for a few days (Preferably a week) to dry out. How big these twigs need to be is very much dependent on what scale you're modelling in, in this case each on being roughly between a quarter and a third of an inch diameter to give a nicely sized trunk for a OO scale tree. The above cutting mat is A4 sized if that helps with getting a sense of scale. An effort was also made to obtain twigs with varying amounts of knots in them to add some variety.

Next, take one of the 'trunks' and cut it to the desired length for your tree, in my case I only show the main trunk as far as the lower branches so anywhere from 1-1.5inch is enough. Do make sure to make the length slightly longer than needed to help with the next step. Then use the razor saw to cut the trunk in half lengthwise. Hey presto! Two trunks!

Moving onto the foliage (Excuse the mucky fingernail!) Start by making a rough guide out of thin card to the shape of the topography you want. Have a look at photographs of trees to get some suggestions, but if you're still struggling to get something that looks 'right' a not quite figure eight shape like the one above is a pretty safe bet. Cutting the trunk slightly longer than needed helps with attaching it to the card base, this will end up being covered.

Handy tip: Make the card shape slightly smaller overall than the intended finished size, this will very quickly be bulked out.

And finally, some greenery! Nothing too special here as it's simply Woodland Scenics light and dark coarse foliage scraps stuck down with a hot glue gun. Something PVA based would probably be preferable to many I suppose, but speed was certainly of the essence here! As a rough guide, from the bottom up to the top quarter of the base was given a layer of the darker green, lighter green being added on smaller clumps on top till it looked right. This is definitely a good time to go looking at old episodes of Bob Ross's "The Joy of Painting" when it comes to use of light and dark.

And hopefully, if you've been following along, you should have a tree like the one above that looks quite passable for a tree in the height of summer! Of course this is only really a basic attempt, scatter products could easily be used to model a tree in the seasonal change from summer to autumn. Certainly something that could be fun to play around with.

And as a child of the 90s I can only sign off this post in the manner of Neil Buchanan's 'Art Attack'.

"Try it yourself! Low relief model railway trees, and I'll see you next time! Ta-ra!"

Station Structures

Another job that needed doing with the Cartel layout before the ever so wanted ballasting was creating a couple more low relief structures for the 'platform' side of the fork. One of these being a simple weighbridge/yard office.

I'd started scratchbuilding with Wills brick sheet but I just couldn't get the look I was after, even at this early stage it felt 'off' somehow. I was also getting a little frustrated with the material itself, compared to normal, the plastic itself felt tougher to cut through, yet was snapping in a brittle way with not too much pressure from the knife. All three walls of the box above needed remaking a couple of times due to this.

For the sake of balance though, I genuinely can't remember when I picked up this particular batch of the brick sheet, it could be a case of it having been stored improperly at some point. Certainly it's the first time I've ever encountered this with the Wills stuff.

And so, it was a case of 'kitbash to the rescue' in the form of the Wills Weighbridge Hut kit. Very much taking the Chris Ford approach here to detailing to hide the origins a bit: extra bars on the window, a suggested floor on the inside of the door, a door handle from a track pin head, and finally modifying the door into a slightly open position to imply some sort of life.

The rear wall piece of the original kit was fashioned into two new end walls, wanting a different roof profile to that of the supplied gable ends from the kit.

And for comparison, the new bash with the abandoned scratchbuild, already looking much better dimensionally!

The roof proved a little tricky, wanting all the sides to meet up at a central apex, but cutting the angles on the longest side first and then using this as a guide for the two smaller pieces made the task much easier. Strips of ordinary printer paper soaked in solvent help disguise any dodgy roof joins nicely.

From there it was a case of raiding the Wills building details pack for extra brickwork, gutters and bargeboards to help alter the rather flat faces of the structure. I've got to that stage where I now find it far easier to make downpipes out of 1mm plastic rod than bash pre-made ones. Granted, the above isn't the best example, but painting/weathering does a lot to hide the imperfections.

And once again, as a fun comparison, the heavily bashed low relief version next to the lightly bashed version of the same kit seen back in September of last year.

And finally, after painting and weathering and sitting in situ.

A very pleasing result, especially after the false starts. Sometimes, the simpler solution is the correct one.

The Old Retainer

My statistics page tells me that this is the 100th post to this blog! Hooray!

We're slowly getting there with the scenics for the Cartel Challenge layout, though at times it is a bit of puzzle. Logically, I need to work from the back to the front, but there are certain items I can't start on without finishing others first. Case in point, a retaining wall needed along the front of the layout.

I really want to try getting the ballast down amongst the track soon before the really cold weather arrives and slows down drying times drastically, but I can't until I had this 'edge' added to stop the glue and stones escaping.

This wasn't what I was originally planning for this wall though. A couple of months back Micro Model Railway Dispatch editor Ian Holmes talked about how they were using a Chooch Enterprises embossed sheeting to infill the rails on their challenge layout...

It got me interested as a means of speeding up the process of layout building, and a quick search showed that not only were their products available in the UK, but that they produced a wooden retaining wall in the style that I wanted for this scene.

A sheet was duly ordered, but upon arrival it seemed to me as if the planking was a little too small, certainly one of those cases were a product being labelled OO/HO can come back to bite you! So instead a pleasant afternoon was spent making my own.

Nothing particularly remarkable here: Two sheets of 40thou plasticard glued back to back, scribed at 4mm intervals to represent foot wide planks, scratched multiple times lengthways with the tip of a sharp knife to get a wood grain effect.

Installed on the layout, a few offcuts of 80x188thou strip were similarly scratched and added to create upright stanchions. Perhaps I've gone too far in the other direction and made the planking a little too wide. Certainly when it next appears there'll be a few more stanchions added, but of course it was far easier to add to few and more later than try to remove them at a later date.

And after all that work I quickly decided to check a photograph of the prototype this is based on.

The memory cheats.

The real thing had upright planking on the wall with horizontal bracing!

I've put too much work into this to want to change it, and in all honesty, this is very much a caricature, so it does work in this context. It's hardly a make or brake detail.

A German Interlude...

It's been a while since we've had any real railways on the blog, and a trip to Germany a couple of weeks back saw the chance to rectify that, very much out of my comfort zone railway wise. Apologise that the follow images aren't the sharpest, but in the interests of space saving for thee plane trip only the camera phone was to hand!

There were planned to be at least three rail journeys on this trip, but the majority overruled on two occasions meaning that the first train encounter was rather an unexpected one in Phantasialand's 'Rookburgh' area. Don't let the above photo fool you, this was a full size replica!

From what I can gather of the theme, this steampunk society has essentially created a suspended railway system (The area's flying rollercoaster) with little traces of regular railway equipment scattered here and there, the centre piece being the life size locomotive plinthed high above. Perhaps this is more the thematic route that Hornby's recent 'Bassett Lowke Steampunk' range should have taken?

A mock poster hanging in the shadows.

Following on from a couple of (Far to hot!) days at the park an overnight stop in Cologne was on the cards. Certainly this has to be the best view from an Premier Inn I've ever had! This is the station throat at Hansaring, probably comparable with the likes of Manchester Oxford Road geography wise being just outside of Cologne's main station. A cup of... passable... hotel tea and an hour just watching the trains go by was the perfect antidote to the effects of the heat.

Just out of shot to the left was a large MPD and junction, proof that there is indeed a prototype for having a large locomotive works so close to a station, modellers rejoice!

From there a very short train hop into Cologne centre itself. One thing I've never heard mentioned before and that came as a bit of a shock was not only the size of the gap between the platform edge and the train, but also that the carriage floor was a step down from platform height!

Normal tourists would probably take a picture of the cathedral outside of the station, I decided to be different. It also gives a good sense of just how close the railway is to the building.

Interesting to see how the trains appear in the destination board here, with train allocation numbers being listed alongside the destinations and times. I can certainly think of a few situations where this would be useful in the UK, I've lost count of the amount of times I've seen passengers board the wrong train as they didn't read 'front train only'.

Up on the platform level allowed for a first encounter with a double decker train, I've always wanted to try one of these. The chance to ride on the lower level appeals to me being that much closer to the ground than normal must create an even greater impression of speed.

I was rather surprised to see that wooden sleepers are still being used in the station. There's certainly nothing wrong with it, but it's a bit of a culture shock compared to the UK's concrete sleepers in stations policy.

Quite the contrast is the station at Cologne Airport - Essentially a big concrete cutting! 

Normal model railway content continues next time!

Public Order

The first of the physical buildings for the challenge layout has reached a stage of 'almost' complete. The obligatory English pub:

You'll have to forgive the black censor bars. As mentioned before, there's a bit of a joke with the theme for this layout, and name for the pub is probably the biggest part of the punchline.

This is at its core a simple bash (Read as 'butting up against each other') of two Petite Properties kits, in this case No.12 Station Road & Crimple Cottage. I'd wanted to have a try at these kits since seeing Michael Campbell use them to great effect on his Loctern Quay layout. Both have been clad in 'garden wall' embossed plastic sheet from Expo Tools, and the roofs have been replaced with Wills slate sheet. Wanting something slightly older than the supplied shop frontage, a replacement was sourced from Scale Model Scenery, with only the minimal amount of bodging required to open out the window aperture on the body of the building.

An 'in progress' image perhaps gives a better idea of how this hodgepodge of parts went together:

It's as I'm writing this that it's suddenly dawned on me that there's only two and a half months to go till the deadline. To slightly misquote the tagline for Starlight Expresss: Better get my skates on!

Farewell Corri-Llyn

I knew this day was coming. I knew even more I'd just been looking at excuses to put it off for another time.

Corri-Llyn is no more.

Truthfully, I'd fallen out of love with it. It'd spent the best part of a year sat wrapped up in a bag in storage since its last appearance. 

"Why not sell it on?"

It'd be nice, but I'm one of those modellers who freely uses 6" curves, and this layout is no exception. I just know that if I did sell it on, no matter how much I emphasised that the track work was incredibly sharp, I'd probably get a very not so politely worded message a few days later demanding a refund and stating that it's 'not fit for purpose' as the new owner can't get their Heljan Manning Wardle round the bends...

It's just not worth the trouble.

On the bright side though, it's been a great learning experience. The initial design allowed me to draw heavily on inspiration from the work of James Hilton and using structures as view blocks. I had my first proper attempt at a road surface (And in the process proved that a Bachmann Skarloey CAN get round a 6" bend with level crossing infill!) The station proved a great exercise in using the restrictions of the space to make a unique building. It was even my first time building a baseboard totally from MDF, and whilst I can see some of the disadvantages when it comes to putting in the extra time prepping the board for say ballasting, that is far outweighed by the easiness of which it is to cut and shape by tenon saw!

The structures on the layout are all salvaged, and for now are sitting safely in a box alongside the other Chris Ford inspired buildings...

Perchance the Welsh narrow gauge layout is not dead, but sleepeth.

Duncan

A few weeks back one of the three 009 GEM Douglas rebuilds reached completion:

For a bit of fun, this one was turned out as the Skarloey Railway's 'Duncan', wearing the red livery from the books rather than the yellow of the TV series (Yes, it is red, not pink, it's the lighting, I swear!)

There are actually some 'firsts' here though. My first time lining an engine with transfers, my first time adding transfer lettering (Surprisingly not as infuriating as I first thought adding tiny 1mm high letters one by one!) and as a result of this, my first time varnishing an engine.

Apologies to the die hard Railway Series fans, but it'd not meant to be an accurate representation of Duncan at any point in history or the illustrations, I simply found as many references as I could of the Talyllyn's No.6 in full Skarloey livery and went from there. Even then I made a big mistake. I couldn't find a reference for the cab back-sheet and so simply added blue lining to match the tank sides. Naturally, it was only after varnishing a reference appeared showing that there's no lining on the rear, in the obvious place I didn't check, Wikipedia! 

Still, it's a quirk unique to this model.

Partnered up with a Meridian Models 'Limping Lulu' and Rodney Stenning Corris Brake that I put together around the time of the original Bachmann Skarloey release, it makes a nice set.

It's nice to have a Duncan on the stock list, especially after the announcement from Bachmann that they were cancelling their own version. The red livery also has the added bonus that it wouldn't look too out of place as a guest or spare engine if a layout ever made it to exhibition.

Annoyingly, it's actually a really nice runner. Even better than some of the 'proper' stock!

I do not need a Skarloey layout, I do not need a Skarloey layout, I do not...

Time For Church

It's been a while since we were at the Cartel Challenge layout. 

I seem to have a started a thing over the last few years that every layout I work on either has to have a church or at the very least a churchyard on it. And so we come to the example for this layout:

Another first for this year, first time painting a church. Apologies to the lovers of Victorian remodelling and Gothic Revival, this is very much an artist's impression! In all honesty though, I'm quite pleased with the attempt at shading and arched windows. Certainly gives me the confidence to do further building painting onto a backscene.

Churches are a eclectic mix when it comes to prototypes, and this is based on one, but to point it out the exact reference would give the punchline to the layout away. If you somehow can work out exactly where this is meant to be by this representation alone, then shhh!

And later the obligatory 'happy little trees' were added to help give a little more depth. They do need a little tidying up (Especially that flying shrub in the corner!) But for now they're acting as a very nice backdrop to photograph rolling stock against.

Gauge 1 North 2025

THREE exhibition posts in a row?! It's all a coincidence, I swear. I don't normally get around this much!

Just over a month since my last visit, I'd decided to brave the weather warnings for heavy rain and head back at the Agricultural Centre in Bakewell for another model railway exhibition. This time for the annual Gauge 1 show, held here since 2010. I've been attending now for the last four years, but this marks the first time I finally remembered to bring the camera along with me!

This is taking the 'train set oval' to the ultimate level, with both live steam and battery power running side by side and some sizeable train lengths. What an image can't capture is the wonderful smell from all the steamers!

The Manor class engine rushing through the above image deserves a special mention as it was coal fired, the operator essentially having to shovel whilst sprinting alongside the straight to keep up with it. They'd got it down to perfect timing, clearly not their first rodeo!

Spotted awaiting his turn.

I know 'hand of God' images are generally frowned upon, but this moment did give me a chuckle. At the last moment it was found a scenic over bridge was too narrow to allow the engine to clear the main line.

A coal drop module on the corner adds a little bit of variety, and the working tipper mechanism always manages to find an audience. Personally I find watching the wagons being shunted one by one down the slight incline on the other side a tad more fun.

One big reason for visiting this show though is the trade support. A quick look at the website to refresh the memory shows a total of 29 stalls (Including societies) catering to every aspect of Gauge 1. For me though, the tools and raw material stands are unmatched for any of the model shows I regularly attend. That's not to say the others can't provide, but that this is very much a 'builder's scale' gauge. Essentially, if I'm after some sort of tool, or in this case a sudden need for brass tube, I know I can definitely find it here.

There is an urge to model something Gauge 1, and it'd probably surprise many to discover the main 'want' is to model one of these 7 plank wagons. I'm very much of the generation that grew up with the early television episodes of Thomas the Tank Engine, and it may surprise some to learn that during the early series many of the rolling stock kits came from Tenmille Products. The company is still going and were there on the day. I know there are people out there who produce replica faces from the original TV series ones, so the temptation to model a 'proper' troublesome truck is strong. I think the main thing holding me back is that I know it'd just end up one my desk as a store for pens/pencils... 

One thing that did strike me during my visit is just how young some of the operators on the big layout were (i.e. clearly below 20) There's a lot of comments lately, and indeed an ever going on argument, that the hobby is dying with no or few younger modellers taking over. Certainly didn't seem that way to me, which I found even more surprising for such a large scale when comments about lack of space are also a regular occurrence. Perhaps it's more a case of the model railway hobby has come full circle and the idea of only owning and engine and a few items of rolling stock to take along to a group layout is regaining popularity again? It's food for thought...

I mentioned 'the big layout' above as in one of the back rooms were two much smaller layout. One of these was the "Chop It Up Lumber Company" demonstrating minimum gauge modelling in a large scale, allowing for a highly detailed layout in a relatively small footprint. The waterwheel hidden in the shadows did work.

Likewise, the pumping engine at the other end worked as well. This is a really nice little cameo shed scene.

Unfortunately my visit was cut short by the inclement weather outside. Not wanting to be caught out by how quickly some of the surrounding roads can flood, and having obtained enough brass tubes to hopefully last me a few years, I made an early exit after a couple of hours.

Still, what little time I did have there was very enjoyable. Big thanks to the Gauge 1 Model Railway Association for putting on the event, it's always nice to take some time out to just watch the trains go round.

Railex Buxton 2025

Two exhibition posts in a row? Oh my!

The weekend just gone saw the return of the Railex Exhibition in Buxton. I'll admit I was a little sceptical heading there this year, not for the contents of the exhibition, but this year they'd changed up the entry fee. Turning up between 9-10 cost £4.30 more than a standard entry, the upshot to that being discounts at selected traders. It didn't really interest me, but given the event clashes with several other non-train events in Buxton and the surrounding area, and that long stay car parks are fewer than you'd think you can understand not wanting to arrive too late and being forced to go home.

Reading the show guide (Again, a very nicely produced 'bookazine' like last year) it's a relief to see that the organisers are fully aware of this, and that plans are already in place for improvement and expansion next year, including a different weekend date and what sounds like a bigger venue. Roll on 2026!

Heading in there was the usual display of courtesy rules displayed, but one in particular caught my eye:

"No livestreaming of the exhibition"

Sounds almost comical, but it clearly must be a new problem shows are facing. I've no doubt that there are people out there who would happily sit at home watching whilst someone else did all the leg work and commentary in real time.

As always, what follows isn't a complete show guide, mainly due to two things. Number one, I forgot to pack the proper camera again (D'oh!) and two, I was having such a nice time just talking to people. Special mention to the team running the 009 Society stand. Steve, I'm sorry if I stopped you making as much progress with that coach kit as you'd have liked!

Hindlow (OO) Nigel Fisher - Based on the nearby station that formed part of the now closed Buxton to Ashbourne line. Although this section of the line does still exist as a freight only line serving the nearby quarries, the station itself is long gone.

Really liked this blending of the physical layout with the processing plant painted on the backscene.

Two Bridges (OO) Rex Ashton - I'm ashamed to say this was the only image I took of this layout, but there is a reason. I've had one of these Ratio signal boxes sat around part built for quite some time now, but the assembly of the windows left e very confused as to how they went together. The exploded diagram in the instructions is a little confusing, and the photos I could find online weren't much help either. So, reference acquired!

St. Etienne-en-Caux (HOe) Charles Insley - Nice to see Charles again at Railex after he'd had to drop out last year. This is only a small part of what was a fairly compact 'L' shaped layout, but I wanted to make sure I got a picture of the on scene cassette system. This particular type uses metal 'L' brackets for the track work with small bulldog clips making the electrical connection to the layout.

Also accompanying the above layout was the 009 Society publicity stand. It occured to me that I've never actually had a chance to look properly into the display cases showing some of the Heritage stock created by members over the decades. During my chat about kitbashing with Stuart Mann (Publicity Officer) I noticed this 'Director's Saloon' bash of a Dundas Bro Madog coach kit. Another one to add to the ever increasing 'to do' list!

Grindley Brook (7mm Finescale) Hillingdon Railway Modellers - A monster (In a good way!) of a layout taking up a good chunk of the Octagon Hall. It did however allow for scale length trains to run through the scene. It certainly alway had a good crowd in attendance whenever I passed by.

Edgeware Road (7mm Broad Gauge) Peter Boyce - A very unique subject for modelling, Victorian era Broad gauge London Underground! Surprisingly, the description in the show guide talks about how the early Metropolitan line is actually quite a popular subject for broad gauge modellers!

Just looking at the combined livery of the locomotives and the coaches, I can see the appeal. That is very tempting as a colour scheme. Even though the metropolitan isn't a deep level tube line, I can only imagine how quickly the white on the coaches darkened!

Nicola Landing (On2 & On3) - This was fun to see again, especially when comparing it to it's 'under construction' appearance during the 2024 show. The thing that struck me the most was just how the river surface is just a gloss blue. I just works. Perhaps sometimes simplicity is the key.

Telindalloch (OO) Terence Tew - Scottish modelling in a small space, and for m this is the layout I'd have liked to have taken home, even if it was only for that forest backdrop. A photograph just doesn't quite convey how deep it made the layout appear to the eye.

Apparently there's over seventy trees on this layout. On the right hand side you can see how the physical trees blend with the flat trunks on the back scene, giving the depth. Love those colours. I'll happily admit I'm very much an Autumn person, so the temptation to model something like this at some point is very strong.

Heading back to the car parked under the railway viaduct there was an unexpected detour. Just by chance on the walk in I'd spotted the Buxton Railworks shop (I had actually half convinced myself I'd misread 'Nailworks'!) Always nice to find a new model shop in the local area, and even better one that specialises in preowned items, though there is a very good supply of the Peco/Wills/Ratio products alongside. It seems I may have to start making more than one trip a year up to Buxton.

One item that I wasn't leaving the shop without was an old Hornby Country Church, complete with working 'music box' chimes. I've been after one of these for so long, and at £5 I thought very reasonable. Having a closer look back at home revealed that the whole thing had been put together by a previous owner using a minimal amount of all purpose glue, so disassembly and a repaint/rebuild is definitely on the cards. Those original stained glass window glazing pieces have got to go, they'd probably look more at home in a 1980s workout video!

Wait for it, these Hornby churches are going to start popping up everywhere now that I've got one!

In fact, just having a look at the preowned section of the website has presented me with a project I've been umming and arring about for a few months but at a more than reasonable price. More on that another time...

A big thanks to the team behind Railex Buxton this year. Definitely enjoyed myself and looking forward to next year!